Each musician after the drummer can listen to the previous recordings on headphones. You should then move on the bass guitar followed by lead guitar and keyboards. If an engineer decides to record instruments separately, experts recommend starting with the drums for a good rhythm track. In the same way that Les Paul liked to play multiple parts himself, recording engineers can construct a song one instrument at a time. One solution to this type of problem is to simply record all of the parts separately. If the drummer only messed up once, that doesn't mean the entire drum track needs to be deleted. The multitrack method allows this to be recorded in perfect sync with the other tracks.īut there's yet another solution. In this situation, the drummer will be able to actually listen to the other tracks on headphones while banging away on drums, rerecording only that part of the song. If the drummer messed up a few times during the song, the engineer can rerecord the drummer's track while letting the other musicians take a break. As we mentioned earlier, one of the benefits of recording on different tracks is that one musician can make a mistake without necessarily affecting the tracks of the other musicians. Of course, when the recording is done, it probably won't be perfect. One drawback to computers is that they're more likely to crash than recorders. You can connect the instrument microphone inputs to an audio interface that connects to a computer, or use a separate mixer connected to the computer. Another option is to use a digital audio workstation ( DAW), which uses a computer and software to record, edit and mix music. Some machines are recorder-mixers, which combine the two machines into one. The mixing console is connected to a multitrack recorder, where it sends the different microphone signals to the right track to be recorded. We'll delve more into the process for a deeper appreciation of the engineering side of modern music recording. But these can even be linked together to have 48 or 72 tracks if necessary. It didn't take long for eight-track recorders to become the industry standard.Įven since the 1990s, when the industry completely switched over to digital recording from analog tape recording, the multitrack process has only gotten more sophisticated. The Beatles' John Lennon even decided to splice together two different versions of the song "Strawberry Fields Forever," meaning their producer George Martin constructed the final product from two four-track recordings. Innovators like the Beatles, the Beach Boys' Brian Wilson and producer Phil Spector took advantage of multiple tracks, experimenting with the new sounds they could create. The 4-track recorder became common by the 1960s. Multitrack recording soon started to revolutionize the recording industry. Each track can be rerecorded or deleted without affecting the other tracks. This was the first multitrack recorder, which allows different "tracks" or channels of sound to record and playback synchronously (the vocals on one track, guitar on another, and so on). In 1954, Paul convinced a company that made recorders, Ampex, to build him a 3-track recorder. ![]() This was the case until musician and innovator Les Paul started experimenting with recording over himself so that he could play multiple parts in the same song.
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